Art Plunge

What do Bjork and I have in common besides being tiny? (she's 5' 4") We're both all magazine worthy thats what! I'm sure anyone that reads this blog is on my facebook page so I won't get all Miss USA on ya. But the big news yesterday was that I AM IN! In the Origin Magazines September issue that is...and not ME but my ART which is super exciting to an artist...to have your work seen outside of your city? It's a great feeling! Origin Magazine is a national Art+Conscious Lifestyle magazine that is sold at Whole Foods all over the nation.  The World of Traceable Ghosts This is the piece that won us into the magazine! I'm super psyched to see it PRINTED in beautiful color! The official announcement goes out today but I was notified yesterday and wanted to share the good news. I could not have done it without EVERY single one of you that voted, shared,campaigned and supported me. I felt like I was annoying every one and I probably was (sorr...

"The World of Traceable Ghosts" acrylic, krylon on canvas 30" x 40" C'est fini! It's done! I put a lot of hours into this and excited to show it in public this Friday at Rising Gallery. I'm curious to see it hanging next to the mice. Today I just finish off the sides and install hanging fixtures to my pieces, wrap them up for travel and they are ready for the ball. I took some detail shots with my  humble camera detail  detail A lot of symbolism snuck it's way into this one subconsciously. I've also added secrets than can only be seen in person.  One thing I want to say about my work, I almost never have a set idea in my head of how it's going to be. No road map. No sketch. I let the canvas tell me what to do. I feel like I learn so much more when there isn't a connect the dots to follow. The forms, colors, figures, they appear like magic apparitions. Each thing sparking the next thing, like dominoes falling. I ha...

detail from work in progress "The World of Traceable Ghosts" There is a good chunk of time when you first start a painting that feels a lot like hacking through a thick forest with a cheap plastic picnic knife. Then after some time it feels like your plastic knife has turned into a well forged and sharp sword. Things start opening up and becoming easier. Paths begin to appear where there were none before. I finally hit that point on this painting last night. It's a good point. It's the point when you see clearly what all is left to do to the work and not the "what the hell am I going to do?" point anymore. I've posted a few photos on facebook of my progress and gotten a phenomenal response so far. YAY! I was very skeptical of the color scheme at first. I've been living in aqua, green and pool blue land for so long! I even had a fellow artist and blogger (Lizzie Fortuin) from the Netherlands ask about putting my piece on her website ...it...